Part of the collateral damage from
the COVID-19 pandemic has been a shortage of meat. Many processing plants have
been shut down because of outbreaks of the disease. The domino effect of this
is that cattle and pig ranchers have no place to sell their animals. A recent
news feature showed a pig farm where the mature stock was being “humanely
euthanized” to make room for the baby piglets to grow up. You needed a heart of
lead to not feel sad about all those pigs being shot. Of course, absent the
pandemic, they were headed to a fate that was no happier.
My husband and I don’t eat a lot of
meat, other than chicken. We prefer fish. I stopped eating veal altogether years
ago. I had seen photos of young calves kept in tiny stalls so they wouldn’t
develop muscles and would stay tender until they were slaughtered. Now I’m not
sure I’ll ever be able to eat a pork chop again. My husband and I have often
toyed with becoming vegetarians. The pig TV feature has me considering this
more seriously. It also led me to think about the places that pigs appear in
our cultural psyche.
It starts when we’re babies and
everyone around us wants to count on our toes. “This little piggy went to
market; this little piggy stayed home.” And so on. There’s also the nursery
rhyme: “To market, to market, to buy a fat pig. Home again, home again,
jiggety-jig. To market, to market, to buy a fat hog. Home again, home again,
jiggety-jog.” I sing this to my cats on the way back from the vet, letting them
know that we’re headed home. I have no idea if they understand this, but it
makes me feel better.
Early on, we learned about The Three Little
Pigs, with their varying home construction materials and how those fared
against the huffing and puffing of the Big Bad Wolf. Not long after that, we
became familiar with Looney Tunes and P-P-P-Porky Pig and his girlfriend
Petunia. As our literature selections became somewhat more sophisticated, we
were no doubt introduced to Winnie the Pooh and his dearest friend, Piglet. And
who can forget Wilbur, the pig who was saved from
slaughter in Charlotte’s Web?
The Muppet, Miss Piggy, deserves a
paragraph all her own, even if it’s just two sentences. She has an entire media
and promotional empire built around her. The literary creation, Olivia, could
give Miss Piggy a run for her money. Olivia has her own books, translated into
many languages. Her original book won a Caldecott Honor in 2000. Both of these
ladies were featured on U.S. Postal Service stamps, Miss Piggy in 2005 and
Olivia in 2006.
Many celebrities have (or had) pet
pigs, including George Clooney, Ariana Grande (who appears to have won the
custody battle with Pete Davidson), the Beckhams, Miley Cyrus and countless
others.
Let’s not forget colloquial
expressions that feature pigs: a pig in a poke, in a pig’s eye, when pigs fly,
male chauvinist pig. OK, maybe let’s forget that last one, but the other three
are permanently entrenched in our lexicon. How about going hog wild and its
cousin, going whole hog? Did you have a piggy bank? Ever get carried piggyback?
Wear pig tails? And one that I could never do without: As happy as a pig in
____. (You fill in the blank.) Let’s end this exercise with a phrase that’s
been showing up in political discourse lately: Put lipstick on a pig. I know
there are more pig/hog/sow expressions, but my list should give you a sense of
porcine usefulness in language.
This essay is by no means a
complete survey of pigs in our culture, but I hope it makes you think twice the
next time you order roast pork in a restaurant. Maybe the shortage of chops
during the pandemic will result in permanent changes to our culinary behavior.
For the sake of all those little porkers, I certainly hope so.
Copyright 2020 Business Theatre
Unlimited